|Who is it?||actor, stunts|
|Birth Day||December 7, 1910|
|Age||110 YEARS OLD|
|Birth Name||Nathan Roderick Cox|
|Height||6′ 5″ (1.96 m)|
Rod Cameron is a member of Actor
The well-worn phrase “Tall within the saddle” is definitely one simple approach of describing (and maybe pigeon-holing) leathery, wiry-framed Nineteen Forties and early Nineteen Fifties western movie star Rod Cameron, though he proved fairly succesful in crime tales, horrors and even swing-era musicals.
The 6’4″ Canadian-born actor was born Nathan Roderick Cox on December 7, 1910, and raised in Alberta. Once his aspirations of changing into a Royal Canadian Mountie handed, he determined to hunt fame and fortune as an actor in New York and initially grabbed some work as a laborer on the Holland Tunnel venture in Manhattan. When no progress was made acting-wise, he moved to California the place he made his “debut” in an unbilled bit in considered one of Bette Davis’ scenes in The Old Maid (1939). Upon launch, nevertheless, he found his bit within the scene had been deleted.
Cameron discovered a slight “in” (as in “stand-in”) with Paramount Pictures for such stars as Fred MacMurray whereas managing to search out himself sparingly utilized in different Paramount movies. To complement his revenue he additionally performed main man within the studio’s display assessments for starlet wanna-bes and his athleticism paid off taking part in stunt double for such established cowboy icons as Buck Jones. Cameron toiled as a bit participant for fairly a while and appeared insignificantly in such classics as Christmas in July (1940) and North West Mounted Police (1940) (the place he fulfilled his early want by taking part in a Mountie!). Occasionally he would discover a noticeable secondary position, in such lesser movies as The Monster and the Girl (1941), The Forest Rangers (1942) and as Jesse James in The Remarkable Andrew (1942).
Cameron’s banner 12 months was 1943, when he lastly broke out of the minor leagues and into the key ranks. His breakout display position was as clench-jawed Agent Rex Bennett, out to convey down the international enemy and save the world, within the Republic serial cliffhangers G-Men vs. The Black Dragon (1943) and Secret Service in Darkest Africa (1943). From there he was signed by Universal to look in a flurry of low-budget westerns with Fuzzy Knight as his comedian sidekick. Aside from the rough-hewn heroics he was paid to show, he would often present a softer aspect for the women, reminiscent of with fellow Canadian Yvonne De Carlo in Salome Where She Danced (1945), Frontier Gal (1945) and River Lady (1948). Seldom would he enterprise outdoors the motion style, nevertheless, one of many few occasions being his position as a symphony conductor in Swing Out, Sister (1945). For essentially the most half he remained rooted in westerns and the one variance inside that realm was the occasional black-hatted unhealthy man.
Among Cameron’s many dusty showcases (most of the time made at Republic or Universal), Brimstone (1949), Stampede (1949), Dakota Lil (1950) and San Antone (1953) are price a great look. Cameron by no means discovered his Stagecoach (1939) or Shane (1953), a car which may have held him even “taller” within the saddle, however between 1953 and 1955 he was nonetheless ranked “prime 5” box-office.
In the Nineteen Fifties Cameron discovered time to settle into a few syndicated TV sequence. Both City Detective (1953) and State Trooper (1956) lasted a few seasons. He additionally guested on the extra widespread western sequence, reminiscent of Bonanza (1959), Laramie (1959) and The Virginian (1962). When his film profession started to fade within the early Nineteen Sixties, he went to Spaain for a number of spaghetti westerns and appeared in a few low-budget westerns reminiscent of Requiem for a Gunfighter (1965) and The Bounty Killer (1965), which was observed extra for reuniting sagebrush stars from yesteryear than for its top quality. He additionally performed an ageing rodeo star who dies early within the story within the biopic Evel Knievel (1971).
The solely critical tabloid scandal he ever discovered himself in was when he divorced spouse Angela Alves-Lico (1950-1960) after which instantly married his ex-wife’s mom, Dorothy, who was a number of years older than him. An prolonged battle with most cancers lastly claimed the 72-year-old actor in 1983 at a Gainesville, Georgia, hospital.
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